As
a son of two Indian immigrants, Gogol struggles to find his true identity as an
Indian American throughout The Namesake
by Jhumpa Lahiri. As a young child,
Gogol loves his name and embraces it when he starts school. As he grows older
and gets ready for college, Gogol not only is absolutely disgusted with his
name, but his primary goal is to discard all aspects of his Indian identity.
Gogol’s name change to Nikhil in the courthouse symbolizes his complete
transformation. It was as if "a prisoner was walking free" (Lahiri
102).
When
Nikhil begins college at Yale, his soul focus in life is to not be the Gogol
that his parents want him to be. Nikhil no longer feels as bound to his parents
as Gogol once did (Out With the Old & In With the New). Without his parents
around, Nikhil is able to break all of the rules of Indian tradition. "Now
that he's Nikhil, it's easier to ignore his parents, to throw out their
concerns and pleas" (Lahiri 105). As a completely new person, Nikhil is
able to “loosen his morals without any guilt” (Out With the Old & In With
the New) and act in a manner he had never been able to with the pressure of his
Indian heritage. Nick, as his peers at Yale call him, grows a goatee, smokes,
and goes to bars under aged.
Additionally,
without the identity of Gogol, Nikhil is able to connect with women unlike his
“predecessor” had ever been able to. With a boost in confidence, Nick no longer
felt any shame when speaking with women. “With Ruth, Nick quickly develops a
sexual relationship as he has never been able to do before” (Out With the Old
& In With the New). Meanwhile, Nikhil detaches himself from his family.
Where as I feel that becoming more courageous and outgoing may be beneficial to
Gogol, the fact that he no longer even wants to communicate with his own
parents disgusts me. Gogol is clearly trying to rebel against his own culture
by resorting to a polar opposite personality. He must realize that “throwing
the baby out with the bath water” is impossible. Nonetheless, Nikhil goes even
farther in his relationship with Maxine. “He lives with a girl isn't married to
while his own parents have never even show physical affection in his presence.”
Lahiri
highlights the fact that every time Gogol is faced with crisis in his life (ex.
his Indian styled upbringing, his fathers death), he rapidly transforms his
personality to ensure he is behaving completely opposite to the way he had done
previously. When he goes to college and works in New York City, Gogol develops
a relationship with Maxine that would be completely alien to his traditional
Indian parents. Later in the novel, when Ashoke dies, Gogol again transitions
to an opposite personality by breaking up with Maxine, developing a stronger
attachment to his mother and sister by moving in with them and finally by
marring Moshumi. By the end of the novel, The
Namesake, Lahiri points out that Gogol’s strategy of resorting to the polar
opposite doesn’t end well when he ends up having to get a divorce with Moshumi.
Gogol’s lack of balance is what leads him to his own downfall time and time
again.
In the end, I felt that Lahiri strongly
encourages us not to handle times of difficulty in life by making hasty
decisions and losing our own identity in the process. Instead, I personally
hope to follow her lesson by making more rational decisions myself. I found The Namesake particular interesting
because I, too, am an Indian American. Though there are times when I feel angry
and frustrated by the traditions of my Indian heritage, I hope to deal with my
issues in a more healthy and gradual manner than Gogol did.